A weblog for Pete Ellertsen's mass communications students at Benedictine University Springfield.

Monday, August 30, 2010

COMM 150 - discussion question for Friday Wednesday (in class)

Here are three questions. Post your answers as comments to this blog post. It's very easy, but I'll show you how below.

1. How much of what you know about the world did you get from mass media?

2. What information did you get from which media?
For example: I find out about Illinois politics from newspaper websites and The Capitol Fax blog, national and world news from newspaper and magazine websites ... and Jon Stewart. Celebrities from the Internet. Paris Hilton is everywhere lately.
3. What mass media/messages have you encountered so far today?
Examples: Alarm on clock radio [whatever program was on]. Internet: Surfed Yahoo! and Google news pages, watched Fox News video my right-wing cousin sent me, checked out Huffington Post to see if Jon Stewart is back from vacation. TV: Today Show [or ESPN, Home Shopping Network, whatever you watched]. Newspapers: Felt guilty about not buying State Journal-Register any more, checked out J-R website. The possibilities are endless ...
Post your list of mass media as comments to this blog post. And read each other's comments. The value of online in-class discussion comes when you see what your classmates are thinking and learn from each other.

How to post your response

Scroll down to the bottom of this post. On the right side of the last line, there will be a link that says "___ comments" (with a number filled in where I've left a blank, depending on how many comments have been posted). Click on that link and fill in the comment field on the right. Sign in (and make a note of the username and password you choose because we'll keep on posting to the blog, and if you don't make a note of it, you'll forget it and you'll be out of luck). Review your comment if you wish, and publish it by clicking on "Publish Your Comment." Blogger is relentlessly user-friendly.

If you have trouble getting in, make sure that your user name is an email address ... i.e. with the "...@blahblahblah.blah" tag. When Blogger asks for a user name, 99 percent of the time it's looking for an address.

Sunday, August 29, 2010

COMM 337: Getting started ... blogging and free-lancing

COMM 337, if it works the way I hope it will, is designed to actually put money in your pocket. You'll open a blog, and we'll look at some blogs that professional writers use for their research notes, trying out ideas before committing them to print and, sometimes, communicating with their audiences.

But mostly you'll blog about four types of journalistic writing that are listed in the course description, and you'll write a publishable free-lance story. It's all in the syllabus, which I have posted to this blog at http://mackerelwrapper.blogspot.com/2010/08/comm-337-syllabus-fall-2010.html ...

So that's what I mean about putting money in your pockets. In COMM 337 you'll learn how to write and market a publishable free-lance story. You'll want to get started on it ASAPest, so be thinking what you'd like to write about and who you can interview for it. I follow the old newspaperman's rule: No interview, no story.

[Translation: "ASAP" means as soon as possible. "ASAPer" means sooner. And "ASAPest" means soonest of all, like really, really soon. Like now.]

Your textbooks are (1) Donald M. Murray, "Writing to Deadline" [ISBN 978-0325002255]; and (2) "The Writer's Digest Handbook of Magazine Article Writing" [ISBN 978-1582973340]. They're cheap, and you can get them from Amazon.com or any other online book sellers. They're not in the BenU bookstore.

Let's set up a couple of face-to-face meetings in the next week or two, so we can get started.

In the meantime, Amy has given me permission to excerpt (lightly edited, of course) from our email messages last week. It has some of my thoughts about free-lancing and about the course.

Amy wrote:

Hi Doc,

I was wanting to get the names of the books that we are going to need for this class, and a syllabus if you have one. I know that the last time we talked you said the class would be conducted mainly through email, but let me know if you want to meet up the first week or so to go over the work that we will be doing. Thank you. Oh, and how's the book coming?
And I replied (in part):

I'll get back to you with some of my thoughts on how to get started ... beyond the obvious, i.e. ordering the books ... but first I've got to *think* about it. Basically you'll be blogging and doing a free-lance article. ... send me a link to whatever blog you want to use for the course. And we can set up a time to meet.

And ... oh, yeah, the book. Thanks for asking.

No book in sight, but I'm juggling about three article ideas now, about halfway into writing one, and I've sold another which will tentatively come out in the winter issue of a dulcimer players' hobby magazine ... writing them all on spec but with specific markets in mind and planning to query them once I have a final draft I'm satisfied with. And making sure that I have more than one iron in the fire at all times, which is some of the best advice for free-lancers I've ever heard. In fact ... wow! ... I'm actually trying to do the stuff we'll be reading about.
A word about blogs.

This blog, The Mackerel Wrapper, is mostly a student blog. But my other blog, called "Hog-fiddle" at http://hogfiddle.blogspot.com/, has turned into a pretty fair example of a research blog since we stopped offering my cultural studies classes. I write mostly about traditional music, and I can do a lot of my research on line. So it's full of links to information about songs.

I'll link you to some better blogs later. One word of caution: If you're working on an article with a specific market in mind, don't post your drafts to a blog. That might be considered prior publication, and it might disqualify your article. It's best to use a blog sort of like a writer's journal. Try out short descriptive passages, notes to yourself, possible story ideas, links to other people's stories you might want to study for a "swipe file," etc.

I'll see what I can find on writer's journals and post them to the blog ASAP.

Tuesday, August 17, 2010

English guitar - fingerpicking technique videos

Awesome website: Stefan Grossman's Guitar Workshop

Martin Carthy teaches "The Siege of Delhi"




http://www.youtube.com/user/GtrWorkShp#p/u/99/OWlA8J_JEuY

John Fahey "In Christ there is no East or West"

James J. Kilpatrick, Nov. 1, 1920 – Aug. 15, 2010

http://www2.timesdispatch.com/news/2010/aug/17/jkob17-ar-457099/

His career with the evening newspaper spanned the tumultuous years after the 1954 decision by the U.S. Supreme Court that outlawed racially segregated schools — a decision against which Mr. Kilpatrick, acknowledged even by foes as a gifted wordsmith, thundered with pointed eloquence.

“These nine men repudiated the Constitution, spit upon the 10th Amendment and rewrote the fundamental law of this land to suit their own gauzy concepts of sociology,” Mr. Kilpatrick wrote after the court ruling.

“If it be said now that the South is flouting the law, let it be said to the high court: you taught us how.”

http://www2.timesdispatch.com/news/2010/aug/17/ed-kilpo17-ar-456808/ Kilpatrick: My Journey From Racism

Editor's note: The late James J. Kilpatrick, former editorial page editor for "The Richmond News Leader," wrote this piece for the "Atlanta Journal-Constitution" in 2002. It is reprinted by permission.

Our nation would have been better off, said Sen. Trent Lott, if it had elected Dixiecrat Strom Thurmond in 1948. We wouldn't have had all these problems over the years.

It was a stupid thing to say, profoundly wrong, deeply offensive. Lott was endorsing the racial segregation on which Thurmond had based his campaign. By "all these problems," he meant the difficulties experienced by white folks in adjusting to the new realities. The statement ended Lott's usefulness on the national stage -- a reality he finally accepted on Friday, with his resignation as Senate majority leader.

Why did he say what he said? Lott's 534 colleagues in the House and Senate know exactly what happened at Thurmond's birthday party. On one occasion or another, they have been there and done that. The senator was surfboarding on a wave of bonhomie. As Dr. Samuel Johnson remarked long ago, in lapidary inscriptions men are not upon their oaths. The jovial Lott sought only to make Strom feel good, a worthy endeavor. In the fulsome process he fecklessly attempted to defend the indefensible.

I can offer a second explanation, but it requires a touch of autobiography.

http://www.washingtonpost.com/wp-dyn/content/article/2010/08/16/AR2010081602555.html

Gene Roberts and Hank Klibanoff wrote in "The Race Beat" (2006), their Pulitzer Prize-winning book about journalism in the civil rights era.

"Kilpatrick, by propagating a whole vernacular to serve the culture of massive resistance -- interposition, nullification, states' rights, state sovereignty -- provided an intellectual shield for nearly every racist action and reaction in the coming years," Roberts and Klibanoff wrote.

Mr. Kilpatrick told a Roanoke newspaper in 1993 that he had intended merely to delay court-mandated integration because "violence was right under the city waiting to break loose. Probably, looking back, I should have had better consciousness of the immorality, the absolute evil of segregation."



http://www2.timesdispatch.com/news/2010/aug/17/jkob17r-ar-457095/ "He was a hell of a fella. He cultivated a public image on TV of being a cranky conservative . . . but he wasn't a cranky conservative at home. . . . He apologized over and over publicly and in print when he could about being on the wrong side of the segregation issue. He was a son of the South." Marianne Means, Kilpatrick's widow
November 1, 1920 – 15 August 2010

Sunday, August 01, 2010

COMM 337 syllabus - fall 2010


COMM 337: Advanced Journalism Writing
Benedictine University at Springfield
Fall Semester 2010


"There are no dull subjects. There are only dull writers." -- H.L. Mencken

Communications 337 meetings TBA. Much of the communication between instructor and students will be on line, and students are required to check their email on a daily basis. Instructor is Pete Ellertsen, 2125 S. Lincoln Ave., Springfield, Ill. 62704, email: pellertsen@sci.edu. tel. 793-2587.

I. Course Description.
Course Title: Advanced Journalism Writing
Course Number: COMM 337
Credits: 3.00

Description
Students practice the major styles of journalistic writing beyond newswriting: public affairs reporting, feature writing, magazine writing and editorial writing. Periodically.
Prerequisites
COMM 209

II. Textbooks . You have three: (1) Donald M. Murray, "Writing to Deadline" ISBN 978-0325002255; (2) "The Writer's Digest Handbook of Magazine Article Writing" ISBN 978-1582973340; and (3) "The Associated Press Stylebook and Libel Manual" ISBN 978-0465012626 or any recent edition. Also required are the readings on the World Wide Web linked below in the Tentative Calendar.

III. MISSION STATEMENT
Benedictine University is dedicated to the education of undergraduate and graduate students from diverse ethnic, racial and religious backgrounds. As an academic community committed to liberal arts and professional education distinguished and guided by our Roman Catholic tradition and Benedictine heritage, we prepare our students for a lifetime as active, informed and responsible citizens and leaders in the world community.

IV. Goals, objectives and student learning outcomes.
A. Degree Program Goals
The Communication Arts degree program goals are as follows:
1. Prepare graduates for careers in advertising, electronic and print media, journalism, public relations, publishing, writing or other careers requiring sophisticated communications skills;
2. Prepare graduates for continued study in graduate or professional school;
3. Develop the student's critical and imaginative thinking, reading and writing skills;
4. Develop skills to empower the student to communicate ideas effectively, through speaking, writing and the use of technology;
5. Develop skills for critical interpretation of the media;
6. Foster aesthetic understanding in both production and interpretation of media texts;
7. Develop knowledge of the methods to make responsible social and personal decisions;
8. Develop primary and secondary research methodologies;
9. Develop an understanding of the history, structure and operation of the mass media;
10. Provide an understanding of the impact of mass media industries and messages on the individual, society and culture;
11. Develop professional-level skills in written and oral communication for a variety of media and audiences;
12. Develop professional-level production skills for both print and electronic media;
13. Encourage the development of creative expression; and
14. Help the student develop a professional media portfolio.

Course Goals: Students will understand the techniques, attitudes, values and craft agenda of professional writers, and practice their mastery of the craft by preparing a publishable article and by publishing their analysis of current published writing in a Web log of their own creation.

B. Course Objectives/Outcomes
As a course requirement within the degree program, COMM 337 was designed with the above goals in mind. Thus, upon successful completion of this course, the student will be able to demonstrate mastery of the following objectives and student learning outcomes:
1. To write a publishable feature, news-feature or opinion article
2. To research markets for a free-lance article and write a query letter
3. To explain the attributes of and criteria for judging newspaper and magazine feature writing, public affairs writing and social/political commentary.
4. To create a Web log and publish their analysis of current journalistic writing on the blog, using the criteria and attributes referenced above.

V. Teaching Methods. Small group and whole classroom discussion (including participation in discussion on the Message Board linked to my faculty webpage and my teaching blog), pre-writing, drafting and editing exercises.

VI. Course Requirements.
A. Attendance Policy. Attendance is mandatory. To avoid class disruption, students in COMM 337 must be on time. If a student misses class, is the student's responsibility to get class notes, assignments, etc., from classmates. Missed in-class work, by its very nature, cannot be made up.
B. Reading Assignments. Please see the Tentative Calendar below.
C. Written Assignments. (1) Students will write a 1,500- to 2,000-word article on a current political, social, cultural or artistic issue, research potential markets for it and write a one-page query letter tailored to a specific market. (2) Students will create a web Log (blog) and write analyses professional writing of 1,000 words each of: (a) a newspaper feature story, (b) a magazine feature, (c) a piece of public affairs reporting and (d) an opinion or op-ed piece on the blog. (3) Both the midterm and final exam will be take-home essay examination. (4) Students also will be assigned to cover public gatherings on campus (which tend to happen during the noon hour) without notice. These assignments, by their nature, cannot be made up; missing deadlines will hurt your grade.
The instructor's grading scale is as follows: A = 100-90. B = 89-80. C = 79-70. D = 69-60. F = 59-0. Please note, the letter grade of “E” has been changed to a letter grade of “F.”

Benedictine University at Springfield Student Academic Honesty Policy
The search for truth and the dissemination of knowledge are the central missions of a university. Benedictine University at Springfield pursues these missions in an environment guided by our Roman Catholic tradition and our Benedictine heritage. Integrity and honesty are therefore expected of all University students. Actions such as cheating, plagiarism, collusion, fabrication, forgery, falsification, destruction, multiple submission, solicitation, and misrepresentation are violations of these expectations and constitute unacceptable behavior in the University community.

Student’s Responsibility
Though there is no formal honor code at Benedictine University at Springfield, students are expected to exhibit academic honesty at all times. Violations against academic honesty are always serious and may result in sanctions that could have profound long-term effects. The final responsibility for understanding the Academic Honesty Policy of the institution, as well as the specific policies for individual courses normally found in syllabi, rests with students. If any doubt exists about what constitutes academic dishonesty, students have the responsibility to talk to the faculty member. Students should expect the members of their class to be academically honest. If students believe one or more members of the class have been deceitful to gain academic advantage in the class, students should feel comfortable to approach the faculty member of the course without prejudice.

Violations of the Academic Honesty Policy will be reported to the Office of the Dean of Academic Affairs. Along with a verbal warning, the following are consequences a student may face for academic dishonesty:
• a failing grade or “zero” for the assignment;
• dismissal from and a failing grade for the course; or
• dismissal from the Institution.

VII. Means of Evaluation . Your final grade will be based on assignments weighted as follows: (A) class participation and journals, including the four analyses of professional writing, worth 50 percent of the total grade; (B) reporting assignments, including coverage of noontime events as well as the 1,500-word article and query letter, in total worth 25 percent of the total; and (C) quizzes and tests including the midterm and the final exam, worth 25 percent.
Student Withdrawal Procedure. It is the student’s responsibility to officially withdraw from a course by completing the appropriate form, with appropriate signatures, and returning the completed form to the Advising Office. Please refer to the Student Handbook for important financial information related to withdrawals.
Grade Appeal Process
Grade appeals must be initiated 90 days prior to the end of one semester after the course in question has been completed. The process for appealing a grade is outlined below.

First, contact the Instructor.
1. A student must appeal to his/her instructor in writing (e-mail is acceptable) and provide specific reasons why his/her grade should be changed.
2. The instructor must respond to the student in writing (e-mail is acceptable) and provide a copy to the Division Chair.
Second, contact the Division Chair.
3. If the student wishes, he/she may then appeal to the Division Chair in writing (e-mail is acceptable) and provide specific reasons why his/her grade should be changed without the instructor’s permission. The student should understand that overwhelming evidence must be presented to the Division Chair to prove that the current grade is incorrect.
4. The Division Chair must respond to the student in writing (e-mail is acceptable) and provide a copy to the academic dean.
Lastly, contact the Academic Dean.
5. If the student wishes, he/she may appeal to the academic dean in writing (e-mail is acceptable) and provide specific reasons why his/her grade should be changed without the instructor’s or the Division Chair’s permission. The student should understand that overwhelming evidence must be presented to the academic dean to prove the grade is incorrect.
6. The academic dean must respond to the student in writing (e-mail is acceptable). The academic dean’s decision is final.

Add/Drop Dates. Please refer to the current Academic Calendar for add/drop dates.

Incomplete Request
To qualify for an “I” grade, a minimum of 75% of the course work must be completed with a passing grade, and a student must submit a completed Request for an Incomplete form to the Registrar’s Office. The form must be completed by both student and instructor, but it is the student’s responsibility (not the instructor’s) to initiate this process and obtain the necessary signatures.

Student Withdrawal Procedure
It is the student’s responsibility to officially withdraw from a course by completing the appropriate form, with appropriate signatures, and returning the completed form to the Advising Office. Please refer to the Student Handbook for important financial information related to withdrawals.

VIII. Course Outline and Calendar. Please see Tentative Calendar below. The schedule of assignments is tentative, and departures from it will be announced at the class meeting prior to the change -- or via the Message Board. Students who miss class are responsible for keeping up with rescheduled assignments.


IX. AMERICANS WITH DISABILITIES ACT (ADA)
Benedictine University at Springfield provides individuals with disabilities reasonable accommodations to participate in educational programs, activities, and services. Students with disabilities requiring accommodations to participate in campus-sponsored programs, activities, and services, or to meet course requirements, should contact the Director of the Resource Center as early as possible.

If documentation of the disability (either learning or physical) is not already on file, it may be requested. Once on file, an individual student’s disability documentation is shared only at that individual’s request and solely with the parties whom the student wishes it shared. Requests are kept confidential and may be made by emailing jharris@sci.edu or by calling (217) 525-1420, ext. 306.

X. ASSESSMENT
Goals, objectives, and learning outcomes that will be assessed in the class are stated in this syllabus in Sections IV and VI. Instructor will use background knowledge probes, one-minute papers, reflective essays and/or other Classroom Assessment Techniques as deemed necessary in order to provide continuous improvement of instruction.


Tentative Calendar

Week 1. Read Murray, Chapters 1-2, on craft and process; "Writer's Digest Handbook," foreword, intro and Chapter 1 on free-lancing and finding ideas; Chapter 2 on querying; and Chapter 4 on finding markets (which are an integral part of finding ideas if you want someone to buy your story). Choose a name and open your Web log. Post your reaction to the reading assignment in Murray, plus questions I will post to the blog.

Week 2. Re-read "Handbook" Chapter 5 and 6 on research and interviewing. Read Murray, Chapters 3-4, on "reporting for surprise" and finding the flow (Murray calls it "tension," among other things) of a story. As you read Murray, try to figure out what he means by "surprise." It's almost impossible to explain, but it's important. It may be the single most important thing that makes your work stand out in the crowd. Post your reaction to the reading assignment in Murray, plus questions I will post to the Mackerel Wrapper.

Week 3 Read Murray, Chapters 5-6, on pre-writing (much of which you do in your head) and writing a story. Post your reaction to the reading assignment in Murray, plus questions I will post to the Mackerel Wrapper.
Week 4 Read "Handbook" Chapters 8-9 on writing and revision; Murray, Chapters 7-8, on writing, editing and revising so readers will want to read what you wrote. (Hint: How do you do that? Surprise them.) Post your reaction to the reading assignment in Murray, plus questions I will post to the Mackerel Wrapper.

Week 5 Read "Handbook" Chapter 10 on working with editors; and Murray, Chapter 9, on how to think like a professional -- i.e. like an apprentice! Post your reaction to the reading assignment in Murray, plus questions I will post to the Mackerel Wrapper.

Week 6 Midterm. Post your 1,000-word analysis of a public affairs (politics, government, society or cultural) story to your blog, plus questions I will post to the Mackerel Wrapper.

Week 7 Post your 1,000-word analysis of an opinion article or op-ed piece to your blog, plus questions I will post to the Mackerel Wrapper.

Week 8 Post your 1,000-word analysis of a newspaper feature story to your blog, plus questions I will post to the Mackerel Wrapper.

Week 9 Post your 1,000-word analysis of a magazine article to your blog, plus questions I will post to the Mackerel Wrapper.

Week 10. Work on feature story. Readings from Writer's Digest and internet TBA.

Week 11 Work on feature story. Readings from Writer's Digest and internet TBA.

Week 12 Work on feature story. Readings from Writer's Digest and internet TBA.

Week 13 Work on feature story. Readings from Writer's Digest and internet TBA.

Week 14 Review and assessment.

Final exam schedule TBA.

Blog Archive

About Me

Springfield (Ill.), United States
I'm a retired English, journalism and cultural studies teacher at Springfield College in Illinois (acquired by Benedictine University and subsequently closed). I coordinate jam sessions for the "Clayville Pioneer Academy of Music" at Clayville Historic Site and the Prairieland Strings dulcimer club, and I sing in the choir and the contemporary praise team at Peace Lutheran Church in Springfield. On Hogfiddle I post links and video clips for our sessions and workshops on the mountain dulcimer (a.k.a. "hog fiddle"), as well as research notes on folklore and cultural studies, hymnody and traditional Anglo-Celtic and Scandinavian music. I also posted assignments and readings in my interdisciplinary humanities classes. The Mackerel Wrapper (now on hiatus), carried assignments and readings for my mass comm. students. I started teaching b/log when I chaired SCI-Benedictine's assessment committee, and reopened it as the privatization of public schools grew increasingly troubling and closer to home.